For our concert on 21st May we asked 3 audience members to write short reviews of the concert for us. We didn't give them any guidance or constraints about what to write - just that we wanted to know what they thought/felt/liked/didn't like. Here's the first of the 3 reviews, the other 2 will follow in the next couple of days.
I wasn't sure at first that my front row seat at Tuesday night's Sounds Of The New event at The Forge in Camden was such a good idea, I had planned on a cosy seat at the back where I could relax, close my eyes and just listen to the music. But I soon realised I had one of the best seats in the house to appreciate all the finer details of the experience; the physicality of the instruments and the challenges of the music. Just inches away from the stage I was fascinated by the pianist's super-fast fingers and transfixed by every button and lever of the flute as both instrument and player were tested to the limit by a seriously complex score. And who knew that much saliva could come out of a french horn?
I wasn't sure at first that my front row seat at Tuesday night's Sounds Of The New event at The Forge in Camden was such a good idea, I had planned on a cosy seat at the back where I could relax, close my eyes and just listen to the music. But I soon realised I had one of the best seats in the house to appreciate all the finer details of the experience; the physicality of the instruments and the challenges of the music. Just inches away from the stage I was fascinated by the pianist's super-fast fingers and transfixed by every button and lever of the flute as both instrument and player were tested to the limit by a seriously complex score. And who knew that much saliva could come out of a french horn?
This was the second New Dots event I have been to and once again their clever formula of combining on-stage conversation between the composers and musicians along with world or UK premieres of their contemporary classical music worked brilliantly and provided much-needed context to the six works. I am possibly the least musical person I know but with help from New Dots I am finding enlightenment. Particular highlights were pieces by Emma-Ruth Richards, Yuko Ohara and Piers Tattersall dealing, respectively, with the tricky subjects of sex-slavery, the double helix structure of DNA and adulterous jealousy.
Emma-Ruth and Piers talking about their inspiration with Matt Downes
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